TW for rape
When I first heard about the CW show Reign, I knew that it was going to be my next guilty pleasure. A young Mary Stuart and her ladies-in-waiting living with Catherine de’Medici in Renaissance France? Yes please. Court intrigue and awkward teenage romance? Yes please. Weird pagans in the woods and flower crowns and a murderous queen and a (very anachronistically hot and young) Nostradamus? DOUBLE YES PLEASE. PASS THE FLOWER CROWNS, SON, I’M IN.
I talked my friend into watching it with me, and by the end of the first episode we were both hooked. We would make a ritual out of it – order a pizza, get a bottle of wine, and then sit down to make fun of plot holes and not-very-historically-accurate clothing and overblown teenage FEELINGS for an hour. But as much as we giggled over the poor life choices of the characters, and as often as I yelled “NOBODY WORE TUTUS IN THE 16TH CENTURY,” we developed a real fondness for the show.
And why not? There’s honestly a lot to like. Reign is all about the various ways that women wield power, both in gross and subtle ways. It’s about the relationships between women, and the electrical charges of jealousy and sneaky competitiveness that often sour them. It’s about female sexuality – in fact, the pilot featured a pretty hot-n-heavy female masturbation scene. To top it all off, every single episode of the series so far passes the Bechdel test, meaning that there is always at least one scene involving two women who talk to each other about something other than a man – which I know doesn’t sound like very discriminating criteria, but you would be surprised how many pieces of media fail to meet even this grimly minimal standard. But not Reign! Reign has, for all of its quirks, been generally pretty pro kick-ass women, a fact which I’ve really appreciated.
Plus I’m also here for the elaborate flower crowns and dark flowery poisons and dudes in tight leggings. But I digress.
This week, a spoiler for an upcoming episode of Reign was leaked. This spoiler revealed that in an upcoming episode of the show, Mary will be violently raped. This rape, by the way, will not be a portrayal of a historical fact. Instead, it will be used as a plot device, a ratings grab and a cheap facsimile for character development.
Rape as a plot device is a lazy way to show a strong woman’s “vulnerability,” all the while demeaning and exploiting the experiences of real-life rape survivors. Rape as a plot device is also often used to take female characters down a peg, to put them in their place, to force them to rely on men for protection. Rape as character development is most often used as what Chris Osterndorf refers to as “an explain-all for complicated female characters” – in fact, we’ve already seen Reign pull that old trope with Queen Catherine, when it tossed in a quick rape story to justify her actions and make her more sympathetic to viewers.
None of these are good reasons to include a rape scene in a film or book or television show; I am disgusted that the writers and producers of Reign would use sexual assault to somehow drive the arc of the show forward or reshape Mary’s character. There is absolutely no reason to show Mary being violently raped, and doing so will only have harmful results.
People who defend this scene will say that it’s accurate, perhaps not in a way that’s specific to Mary Stuart, but in a broader, historical context. They’ll argue that Reign is fairly portraying how prevalent violence against women was in 16th century Europe. They’ll smugly explain that these types of scenes create awareness about rape.
First of all, let me assure you that everyone is aware of rape. Women, especially, are painfully aware of the threat of sexual assault. We live with that threat every damn day, and we don’t need a television show to educate us on how frightening and dangerous life as a girl can be.
Second of all, these scenes nearly always sensationalize rape, using the act of sexual assault to shock or create intrigue in audiences. They are not thoughtful portrayals of a difficult and incredibly sensitive subject; they play into the pervasive media narrative that centres violence itself instead of the experiences of women. These scenes also desensitize audiences to the issue of violence against women, especially when a rape is used to drive the plot forward – when rape is just a mechanism to make a character behave a certain way or do a certain thing, the very real emotional fallout that rape survivors experience is often only briefly touched on, and certainly almost never given the gravity and attention it deserves.
Rape is not a plot device. It is not character development. It is not a great way for television shows to get higher ratings. Rape is something that one in four women will experience in their lifetime. It is not something that should ever be used for shock or entertainment value.
Please, writers and producers of Reign, re-write this scene. You are better than this. You show is better than this. You’ve got something really wonderful and unique going on – please don’t foul it up now. And to everyone else reading, please go sign this petition. Even if you don’t watch the show. Do it for the women you know who are rape survivors. Do it for all the teenage girls watching the show who don’t need to see one of their heroines subjected to sexual assault just to close up some screenwriter’s plot hole. Or just do it because it’ll take five seconds and it’s the right thing to do.